Detail Repositori
Abstrak
This article is a summary of the result of research to review aspects of the art, mystical stories and religiousity of Barong and Rangda in Mamintar ceremony at Indigenous Village Serangan. To reveal deeply these aspects, used a qualitative approach to the design ethnography through active participation observation, interview and document study. Based on this methodology, the research explained that first, Barong and Rangda for Serangan people has an arts aspect but religious. This religious art needed to bind a sense of devotion to God. Second, aspects of religious art the Barong and Rangda born of a long process of sanctification, including the magical power of that is built through various myths and mystical stories. Third, Barong and Rangda is the meeting of two different strengths into one or monodualistic of a samyoga to generate new energy. Mamintar ceremony is samyoga of monodualistic Barong and Rangda with the energy produced to neutralize the negative influences that come from the sea. Fourth, the presence of Barong and Rangda in Mamintar ceremony be legitimator to the reinforcement of social solidarity societies that are under the threat, especially from the outside through a giantic project beach reclamation, strengthening identity as an island communities who still love the sea, and means culture to harmony with the universe.
This article is a summary of the result of research to review aspects of the art, mystical stories and religiousity of Barong and Rangda in Mamintar ceremony at Indigenous Village Serangan. To reveal deeply these aspects, used a qualitative approach to the design ethnography through active participation observation, interview and document study. Based on this methodology, the research explained that first, Barong and Rangda for Serangan people has an arts aspect but religious. This religious art needed to bind a sense of devotion to God. Second, aspects of religious art the Barong and Rangda born of a long process of sanctification, including the magical power of that is built through various myths and mystical stories. Third, Barong and Rangda is the meeting of two different strengths into one or monodualistic of a samyoga to generate new energy. Mamintar ceremony is samyoga of monodualistic Barong and Rangda with the energy produced to neutralize the negative influences that come from the sea. Fourth, the presence of Barong and Rangda in Mamintar ceremony be legitimator to the reinforcement of social solidarity societies that are under the threat, especially from the outside through a giantic project beach reclamation, strengthening identity as an island communities who still love the sea, and means culture to harmony with the universe.
Keywords
Religious-Art, Mystical Stories, Religiosity, Barong, Rangda, Mamintar Ceremony.
Religious-Art, Mystical Stories, Religiosity, Barong, Rangda, Mamintar Ceremony.
Jenis Repostori
Jurnal
Jurnal
Nama Jurnal
ISSN
ISSN 0854-3461 Terakreditasi Dikti Nomor 58/DIKTI/Kep/2013 tanggal 22 Agustus 2013
ISSN 0854-3461 Terakreditasi Dikti Nomor 58/DIKTI/Kep/2013 tanggal 22 Agustus 2013
Tanggal Terbit
16 March 2017
16 March 2017
Volume
ISSUE
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